Göteborg Festival Lineup: The 46th edition of Sweden’s Göteborg Film Festival was announced on Tuesday, and attendees included “Danish Girl” actress Alicia Vikander and two-time Palme d’Or winner Ruben stlund. The global premiere of Abbe Hassan’s “Exodus” kicks off Göteborg, the largest festival in Scandinavia, on January 27. The final film is Birgitte Staermose’s “Camino.”
Throughout its ten days, the festival will screen 250 movies. “Exodus” will compete for the title of Best Nordic Film, along with “Godland,” IFFR opener “Munch,” “Ellos eatnu – Let the River Flow,” “Unruly,” “Four Little Adults,” “Copenhagen Does Not Exist,” and “Dogborn,” already screened in Venice. The winner will receive SEK 400 000 ($38,000) in prize money.
Göteborg Festival Lineup Announcement
The audience will be able to witness “Hypernoon,” “The King,” IDFA winner “Apolonia, Apolonia,” “Bong Thom” (“The Brother”), “Labor,” and “Monica in the South Seas” in the Nordic Documentary Competition. “Nordic nations are becoming more receptive to debate of their historical involvement in colonialism. This year’s programme makes it a big deal, according to creative director Jonas Holmberg, who spoke to Variety. “‘Ellos eatnu – Let the River Flow’ is a story about the connection between the Norwegian state and the Sámi people, while ‘Empire’ is a story about the last slaves in the Danish West Indies.
He also singled out “Monica in the South Seas” by Mika Taanila and Sami van Ingen, which examines the legacy of Robert Flaherty and his family and reflects on Denmark’s colonial past. “In the past, the Nordics didn’t think of themselves as being ‘guilty’ of anything. Artists are now beginning to consider these challenges. The festival will maintain its reputation of surprising the audience in addition to providing a jam-packed schedule.
Göteborg Festival Lineup and Questions
Göteborg will enlist the aid of one Ruben stlund, who was recently named the city’s new honorary president, after sending emergency nurse Lisa Enroth to a distant island as part of the The Isolated Cinema event back in 2021. Stlund will try to guide the audience during a This Is Cinema! initiative and the showing of “Triangle of Sadness.” But the viewers will need to respond to some of his inquiries before they can purchase a ticket. Being directed by a two-time Palme d’Or winner is a fantasy for many people, Holmberg quipped. “Some of these questions concern your watching preferences and the best and worst moviegoing experiences you’ve had.
Others are more private, such as your income level, your political preferences, and the last time you cried. “One of the topics we discussed when we contacted him and asked him to take on this role was the function of the movie industry. What does it mean to see a movie together, exactly? What obligations do we, the audience, have? He wants to talk about this, and I think it will be fascinating. As seen by its yearly Nostradamus Report, the festival pays close attention to shifting audience habits.
However, the festival also makes an effort to connect viewers on a political level, whether it be by continuing to promote Ukrainian filmmakers or by inviting Iranian Zar Amir Ebrahimi to serve as the head of the Nordic Competition jury. Taraneh Alidoosti, the star of “Subtraction” by Mani Haghighi, and other imprisoned Iranians will be supported in the rally led by the “Holy Spider” actress. Since then, Alidoosti has been freed.
“When the war started, we wanted to lend a hand. What we could do was invite filmmakers to establish a residency here in Göteborg and help the development and dissemination of more Ukrainian movies, according to Holmberg.
Two of them will now return to the festival: Eva Dzhyshyashvili, the director of “Plai. A Mountain Path,” and Antonio Lukich, who will introduce “Luxembourg, Luxembourg” and serve on the Nordic Competition jury. This year’s Focus Section will also be devoted to the idea of homecoming.
Ruben Ostlund Twitter Video
Help Ruben Östlund to create the world’s best cinema culture.
In This Is Cinema! director and Honorary President of Göteborg Film Festival Ruben Östlund wants to get to the bottom of the behaviors of modern-day cinemagoers. https://t.co/k50EkjulFi pic.twitter.com/d5W0ObKyZW
— Göteborg Film Festival (@gbgfilmfestival) January 4, 2023
It also influenced our decision to invite Jan Troell, a local filmmaker who will receive the Nordic Honorary Dragon Award. According to Holmberg, he produced “The Emigrants,” which is considered to be the primary tale of leaving one’s home and finding a new one in Sweden. The jury for the 2023 Nordisk Film & TV Fond Prize for best TVseries screenplay, which will be judged by Danica Curcic, Neboj Taraba, Wanda Bendjelloul, and Leif Holst Jensen, was also revealed on Tuesday by the festival.
The candidates are “Blackwater,” “Carmen Curlers,” “The Invincibles,” and “Kids in Crime.” Last but not least, Alicia Vikander will attend the gala presentation of the movies made by participants in the educational initiative Alicia Vikander Film Lab 2022. She said, “Let’s do something with this money,” after being named an honorary fellow by the Sten A. Olsson Foundation for Research and Culture.
It’s her way of giving back to the place where she first lived, says Holmberg, who hopes the project will last longer than its initial three-year schedule. “Festivals must adapt if they want to remain relevant. They are no longer simply focused on showing movies. Also, we aim to involve others.
“Exodus,” the opening film (Abbe Hassan, Sweden)
A Hustler’s Diary” producer Abbe Hassan makes his feature film debut with a drama about a smuggler who encounters a Syrian girl who is eager to join her family in Europe. The movie was made by Mattias Nohrborg and Anna-Klara Carlsten for B-Reel Films and loosely based on Nohrborg’s personal experiences as a young refugee. Manages sales is LevelK.
“Copenhagen Is Not Real” (Danish author Martin Skovbjerg)
It was written by Eskil Vogt of “The Worst Person in the World” fame and produced by Snowglobe with TrustNordisk on board. It begins with a young woman going missing. Her boyfriend consents to her father questioning him. “Eskil developed these lovely, but complex people, whom you initially feel biassed towards and then start to fall in love with,” Skovbjerg remarked.
“Dogborn,” (Sweden’s Isabella Carbonell)
Sister and Brother, in yet another Trust Nordisk offering, have modest expectations because all they want is to survive. But later, they receive a “job” offer. With the aid of rapper Silvana Imam, who is portrayed here as Sister, Carbonell delves into the sorrow of homelessness and human trafficking as her characters struggle with whether to act or to remain silent. co-produced by Non-Stop Entertainment and Momento Films.
Let the River Flow, or “Ellos eatnu,” (Norwegian Ole Giaever)
This politically heated book is based on a true incident and tells what happened after the Norwegian government chose to build a dam in the Alta-Kautokeino river in the 1970s, despite the importance of the river to the Sámi community, which made the decision to fight for its rights. Mer Film is the producer.
“Empire,” (Dane Frederikke Aspöck)
Aspöck, the director of “Out of Tune,” which Variety praised for being “cleverly executed and brilliantly performed,” makes a comeback with a historical drama about the last slaves in the Danish West Indies. In the narrative, Anna Elizabeth Heegaard, a wealthy “free coloured” woman, starts dating the governor-general of the Danish colony. But there are growing rumours of a slave uprising.
Four Small Adults (Finland, Sweden, France, Selma Vilhunen)
Selma Vilhunen of Finland, whose short “Do I Have to Take Care of Everything?” was nominated for an Academy Award, Following her Crystal Bear-winning song “Stupid Young Heart,” Vilhunen releases this account of a failing marriage. Things will undoubtedly become complicated as her characters decide to explore polyamory. While Paris-based Indie Sales manages sales, Alma Pöysti and Eero Milonoff serve as the stars.
“Godland,” (Hlynur Pálmason, Sweden/Denmark/Iceland/Denmark)
This critically acclaimed film stars Elliott Crosset Hove and Ingvar Sigurdsson and follows a Danish priest who visits Iceland to construct a church and take photographs of its residents. The author Peter Debruge described the film as “some kind of Arctic, art-house ‘There Will Be Blood,’ pitting a late-19th-century man of faith against a power considerably stronger than him.”
“Munch,” (Henrik Martin Dahlsbakken, Norway) (Henrik Martin Dahlsbakken, Norway)
The opening film of the Rotterdam Film Festival promises a unique perspective on the life—or, rather, lives—of Edvard Munch, as portrayed by four different actors. Given how much he had evolved over the course of his life, Dahlsbakken said to Variety, “it was the only right thing to do.” It was created by The Film Company and supported by Viaplay before being purchased by Juno Films.
“Unruly,” (Malou Reymann, Sweden, Denmark)
In Reymann’s follow-up to the well-received “A Perfectly Normal Family,” a teenager is coerced into the actual Sprog Women’s Home in the 1930s. The director admits, “I visited there a few occasions, but we didn’t shoot on the actual island. “Standing there was incredibly emotional, and I felt linked to all the ladies who had been there,” the speaker said. I am sure you would love this informatona of Göteborg Festival Lineup.
Contest for Nordic Documentaries:
“Hypernoon,” (Sweden’s Mia Engberg)
The King (Karin af Klintberg, Sweden)
Invoking Apolonia France, Denmark, Poland, and Lea Glob
, “Bong Thom (The Brother”)” (Zaradasht Ahmed, Norway, Sweden, The Netherlands)
“Labor,” (Sweden, Tove Pils)
The movie “Monica in the South Seas” (Finland’s Mika Taanila and Sami van Ingen)
Ingmar Bergman Film Festival
The Pecera (Glorimar Marrero Sanchez, Puerto Rico, Spain)
“Girl,” (Adura Onashile, U.K.) (Adura Onashile, U.K.)
With “Archeology of Love” (Wanmin Lee, South Korea, France)
As it melts, (The Netherlands, Veerle Baetens, Belgium)
La Palisada (Ukraine’s Philip Sotnychenko)
What Grows Where the Land Is Ill?, Sister (Norway’s Franciska Eliassen)
“Suro,” (Spain’s Miguel Gurrea)
“Runner,” (Marian Mathias; France, Germany, United States)
“Corsage,” Austria, France, Germany, Luxembourg, and Marie Kreutzer
Little, Slow, But Steady (Shô Miyake, France, Japan)
“1976,” (Manuela Martelli, Chile, Argentina) (Manuela Martelli, Chile, Argentina)
The “The Five Devils,” (France’s Lea Mysius)
“Earthlings,” (American Steve Dougthon)
“Sorcery,” (Christopher Murray, Chile, Mexico, Germany) (Christopher Murray, Chile, Mexico, Germany)
“L’immensità,” (Italy, France, Emanuele Crialese)
The Night’s “The Passengers,” Michael Hers from France
the blue kaftan (Maryam Touzani, Morocco, France, Belgium, Denmark)
“Blaze,” (Del Kathryn Barton, Australia) (Del Kathryn Barton, Australia)
“Pamfir,” (Dmytro Sukholytkyy-Sobchuk, Ukraine, France, Poland, Germany) (Dmytro Sukholytkyy-Sobchuk, Ukraine, France, Poland, Germany)
“Eismayer,” (David Wagner, Austria) (David Wagner, Austria)
“Brother,” (Canada’s Clement Virgo)
“Subtraction,” (Mani Haghighi, Iran, France) (Mani Haghighi, Iran, France)
more so than ever (France, Germany, Luxembourg, Norway, Emily Atef)
The world’s happiest man, (Teona Strugar Mitevska, Belgium, Slovenia, North Macedonia)
Mathematics and Love (Mexico’s Claudia Sainte-Luce)
Burning Days (Emin Alper, Turkey, France, Germany, The Netherlands).
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